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It caused a scandal and Wilde amended it still further for its publication as a novel in 1891, reducing the homoeroticism, particularly in Hallward’s obsession with Dorian, and emphasising the moral of the - the best free porn videos on internet, 100% free. The first edition was published in Lippincott’s Monthly Magazine in 1890 and was already a much-censored version of the original typescript Wilde had sent to the editors. The Picture of Dorian Gray pursued Wilde throughout his life, questioning the limits of art and life in increasingly perilous ways. “Lord Henry what the world thinks me”, and “Dorian what I would like to be - in other ages, perhaps”. Just as Norvill shifts between all of the characters on stage, so Wilde saw different elements of himself refracted through the three main characters of his book: “Basil Hallward is what I think I am”, he wrote. More significantly, the use of a single actor underlines and accentuates a signature Wildean idea: the self as a performance, as inauthentic even. The STC production picks up on this quality we see the story being woven together before us. Wilde described the novel as a reaction, “against the crude brutality of plain realism”. It is fable-like, as in love with its own charm and beauty as Dorian himself.Įryn Jean Norvill plays all the roles, thanks to a combination of quick switches and technology. Published before he started writing plays, it is the culmination of a period in which he was known mainly for his prose: essay-writing, journalism, and short fiction, including magical fairy stories.Įven though we see hints of his dramatic dialogue, particularly in the paradoxical aphorisms of Lord Henry Wootton, the novel really has as much in common with Wilde’s short story The Selfish Giant as it does The Importance of Being Earnest’s farce.
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Both serve to translate some of the trickier aspects of this confounding, but magnificent, novel to the stage.Ī litany of losses: a new project maps our abandoned arts events of 2020ĭorian Gray marked a turning point in Wilde’s short writing career. But it also allows, at other times, for a genuinely chilling terror.Ĭonception and performance offer more, however, than a display of technical brilliance. These exchanges between multiple different Norvills often display an exquisitely-timed comic effect the show is genuinely hilarious at times.
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Sometimes she switches personas live on stage and, at others, she interacts with video representations of the other characters.
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Here, she takes on every single role in the play - 26 characters in all. The strength of the show lies in the brilliant combination of Williams’ confident direction and an extraordinary performance from Eryn Jean Norvill, who is emerging as one of the best actors of her generation.
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This is despite much of the show consisting of a complex interplay between live action and video. And, with Kip Williams’ exuberantly inventive adaptation of Oscar Wilde’s 1890 novel, The Picture of Dorian Gray, the STC is giving us everything we have missed from live performance. Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip WilliamsĪustralian theatres are slowly coming back to life.